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The mystery of the infinite

“Rome
and Treja are bound by the mystery of their names… Treia, which is spelt
–more or less – like “terra” (i.e. earth)…was born from a mystery, a mystery
lost forever. I will call it a town but in fact it is a city.

The town was given back its civic dignity by a Pope, who earned himself a
monument. It is a bronze bust with a stone base, which seizes the light and
seems to hover into the air. It stands up into the air like a giant Ostensorium
whose background cannot be but the sky”.
That
is how Dolores Prato describes the town where she lived her childhood at the
beginning of the 20th century . The writer’s emotions can be found in
her novel “Giù la piazza non c’è nessuno” (Nobody Down in the Square)
published by Mondadori. Since then, little has changed. The town still has its
warm ochre coloured bricks, lit by the beautiful sun which shines in the clear
air against the light blue sky and the green countryside. Walking along the
streets and in the squares you can discover priceless treasures on every corner,
perfectly preserved.

Trea, Montecchio, Treia: 25 centuries of history which stretch from the Roman
period, through the Middle Ages, up to modern times. Walking alongside the
walls, the view covers an area which ranges from Mount Conero to the Sibillini
Mountains.
The
many-towered walls take us back to the 13th Century, to Beato Pietro da Treia,
whose life is described in St. Francis’ “Fioretti” and to Frederic II. His son
Enzo, helped by Corrado D’Antiochia, tried to conquer Treia, but to no purpose:
the citizens beat and imprisoned him inside Porta Vallesacco (Vallesacco
Door). The door is still very impressive, as the Tower of Onglavina the south
bulwark of the town, built during the Longobard period (568 - 764 A.D.).

Along the streets and and all around the most important squares of Treia there
are extraordinary churches and neoclassical palaces with elegant façades on
which traces of the Renaissance period and of the late 18th Century can be seen.

This is the town where important
people – well-known around the world – lived. Two of those people were Ilario
Altobelli (a Franciscan, mathematician and astronomer who discovered the
satellites around Saturn; he was a friend of Galileo Galilei) and Carlo Didimi,
famous player of the game of the “bracciale” to whom Giacomo Leopardi dedicated
one of his odes.
In
Treia you can feel an atmosphere full of history, the same atmosphere that
leads Dolores Prato to write “.... Opposite the hospital there was a wall, a
little taller than a man, which restricted your view: it was a line drawn across
the sky and the horizon was covered by this line: a large sky beyond, and
possibly the sea beneath. This line limited the space nearby, , but the space
expanded into infinity beyond it. If Giacomo Leopardi had been from Treia, he
would have sensed here the mystery of the infinite...”
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